Beta readers are those wonderful people (often volunteers) who read and critique the manuscripts of our books. Chosen carefully, briefed effectively and “heard” with discernment, I regard them as the superheroes of self-publishing. They can provide forms of editing – especially in the developmental stages of a book – that many self-publishers miss out on.

Traditionally-published writers need beta readers, too. You’ll find that most successful authors have at least one and often a team of them, whether they are other writers, editors, or trusted advisors who read their work before it reaches the publisher.

Last time in our beta reader series, we talked about a wise general approach to briefing a beta reader. This time, let’s look at some tips for the logistical side of your briefing.

I’ve heard horror stories of people receiving snarky and offensive beta reports on their manuscripts — the kind of thing that can crush your soul. I’ve also known of beta reports that were so fluffy and insubstantial that they were a waste of everyone’s time.

Beta readers are those superheroes who read the manuscript for our novel, memoir or non-fiction book, and give targeted feedback to help us improve it. (Check out my beta reader series for more.)

Some beta readers are just a bad match to a particular writer or book. But often, that’s not the cause of those disappointing beta reports.

What’s the secret to getting a beta report you can actually use? I’ve found that the key is in the briefing. A thoroughly briefed beta reader, even one who is inexperienced or lacks confidence, can often give useful tips, if they know exactly what you want.